Monday, December 24, 2012
Thursday, November 29, 2012
Quiet Night, Aloha Night
Does a holiday known for snow and ice mix well with white sands and palm trees? I believe it does. Christmastime is sneaking up on us again, and I've been filling up my MP3 player with tiki-appropriate holiday music. I've waded through a lot of junk to come up with a few gems, and I thought I'd share the best of what I found (so far) here on the blog.
Arthur Lyman's "Merry Christmas (Mele Kalikimaka)," from 1959, is a solid choice. Some tracks aren't quite as Exotica-infused as you'd expect, but others seem a perfect hybrid of Hawaii and the holidays. But you can never go too far wrong with Lyman at the helm. His take on "Winter Wonderland," may, in fact, be the best example of Christmas Exotica ever created. This album has also been re-released on CD as "With A Christmas Vibe," (with a fetching wahine on the cover,) but some find the re-editing on that version a little off-putting. I'd suggest sticking with versions of the album featuring the green (shown above) or silver "Christmas present" covers, which are essentially the original album without significant tinkering.
For straightforward hapa haole Christmas music, try Christmas In Hawaii by country music legend turned Hawaiian steel guitar revivalist Jerry Bird. (Some of you may already know Byrd from his take on the theme to "Adventures in Paradise.") This is fine instrumental background music, featuring holiday standards tasetefully rendered in ukulele, steel guitar, etc., along with a smattering of songs specifically written to evoke Christmas in the islands. I'm told this is a 2003 release, but it's pretty timeless.
Two specific tracks essential for your Tiki Christmas mix can be found on Christmas Cocktails, Part 2, which is part of the now-classic Ultra-Lounge series of compilations from Capitol Records. (Yes, the series was revived recently in the form of new digital downloads, but the new incarnation doesn't measure up.) Notably, Christmas Cocktails, Part 2 features "Christmas Island" by Bob Atcher and the Dinning Sisters (kitschy, but fun), and "Exotic Night," which was Martin Denny's take on the traditional "Greensleeves"/"What Child Is This?" -- complete with his usual orchestration style and semi-exotic instrumentation, but happily without his usual bird calls. It's not one of Denny's best, but it's probably mandatory for any self-respecting list of tiki-fied Christmas songs.
I'd also like to point out a few individual songs that fit in well with this mix. "We Four Kings," by the Blue Hawaiians (from their album Christmas on the Big Island) is a successful mashup of the carol "We Three Kings" with the Pyramids' instrumental surf-rock classic, "Penetration." In a similar retro surf rock vein is King of Hawaii's take on "Greensleeves" (from the album Mele Kalikimaka). Normally I'm not a big fan of mixing surf rock with tracks from the likes of Arthur Lyman and Martin Denny -- But I think these are two exceptions that work pretty well. But maybe that's just the eggnog talking.
And finally, what would a pseudo-Hawaiian-style Christmas be without Bing Crosby's classic version of "Mele Kalikimaka," from his Merry Christmas (now renamed White Christmas) album? Der Bingle has been making people dream about spending the holidays in paradise since 1945!
I hope this helps give you a jump start on your aloha holiday listening this year.
By the way, I'll probably be at the International Tiki Marketplace event at Don the Beachcombers' in Huntington Beach, California this Sunday, Dec. 2nd. It will run from 11am to 4pm, and there will be live entertainment and over 30 vendors of all things tiki. If you see me, stop me and say hello.
Arthur Lyman's "Merry Christmas (Mele Kalikimaka)," from 1959, is a solid choice. Some tracks aren't quite as Exotica-infused as you'd expect, but others seem a perfect hybrid of Hawaii and the holidays. But you can never go too far wrong with Lyman at the helm. His take on "Winter Wonderland," may, in fact, be the best example of Christmas Exotica ever created. This album has also been re-released on CD as "With A Christmas Vibe," (with a fetching wahine on the cover,) but some find the re-editing on that version a little off-putting. I'd suggest sticking with versions of the album featuring the green (shown above) or silver "Christmas present" covers, which are essentially the original album without significant tinkering.
For straightforward hapa haole Christmas music, try Christmas In Hawaii by country music legend turned Hawaiian steel guitar revivalist Jerry Bird. (Some of you may already know Byrd from his take on the theme to "Adventures in Paradise.") This is fine instrumental background music, featuring holiday standards tasetefully rendered in ukulele, steel guitar, etc., along with a smattering of songs specifically written to evoke Christmas in the islands. I'm told this is a 2003 release, but it's pretty timeless.
Two specific tracks essential for your Tiki Christmas mix can be found on Christmas Cocktails, Part 2, which is part of the now-classic Ultra-Lounge series of compilations from Capitol Records. (Yes, the series was revived recently in the form of new digital downloads, but the new incarnation doesn't measure up.) Notably, Christmas Cocktails, Part 2 features "Christmas Island" by Bob Atcher and the Dinning Sisters (kitschy, but fun), and "Exotic Night," which was Martin Denny's take on the traditional "Greensleeves"/"What Child Is This?" -- complete with his usual orchestration style and semi-exotic instrumentation, but happily without his usual bird calls. It's not one of Denny's best, but it's probably mandatory for any self-respecting list of tiki-fied Christmas songs.
I'd also like to point out a few individual songs that fit in well with this mix. "We Four Kings," by the Blue Hawaiians (from their album Christmas on the Big Island) is a successful mashup of the carol "We Three Kings" with the Pyramids' instrumental surf-rock classic, "Penetration." In a similar retro surf rock vein is King of Hawaii's take on "Greensleeves" (from the album Mele Kalikimaka). Normally I'm not a big fan of mixing surf rock with tracks from the likes of Arthur Lyman and Martin Denny -- But I think these are two exceptions that work pretty well. But maybe that's just the eggnog talking.
And finally, what would a pseudo-Hawaiian-style Christmas be without Bing Crosby's classic version of "Mele Kalikimaka," from his Merry Christmas (now renamed White Christmas) album? Der Bingle has been making people dream about spending the holidays in paradise since 1945!
I hope this helps give you a jump start on your aloha holiday listening this year.
By the way, I'll probably be at the International Tiki Marketplace event at Don the Beachcombers' in Huntington Beach, California this Sunday, Dec. 2nd. It will run from 11am to 4pm, and there will be live entertainment and over 30 vendors of all things tiki. If you see me, stop me and say hello.
Wednesday, November 7, 2012
Arthur K. Snyder (1932-2012)
"We are saddened to bring such news, but this morning Arthur Snyder passed away in his sleep at 79 years old. He was a United States Marine, a USC Law Graduate, a politician, a restauranteur, but most importantly, a dedicated husband, father, and grandfather. He will leave a legacy for ages to come but what he left in everyone's hearts will last a lifetime. Burial information will be posted soon. We will be holding a celebration of his life this Saturday at Don the Beachcomber in the Longboard Room from 3pm - 8pm. For more information please email info@donthebeachcomber.com. We ask that during this time of grieving you do not try to contact the family or staff at Don the Beachcomber. More information will be posted shortly."Sad and shocking news, indeed. Art was a significant and charming personality in the recent chapters of the tiki revival. He and his wife, Delia, have done amazing things in a very short time with the former Sam's Seafood, somehow restoring and preserving one of the last palaces of tiki (Sam's) while simultaneously creating a whole new one (Don's) at the same location.
Art with Holden Westland of Tiki Farm last June at Don's. |
A few months ago, Art took me on a personal tour of Don's, including the legendary basement, which features a mysterious tunnel leading toward the lagoons behind the property. Art said the basement was haunted, and asked that I be respectful and not too noisy. He also asked that I NOT take photographs, which was a far more difficult assignment. In any case, it was an interesting look at what was undoubtedly a smuggling tunnel back when brothers Sam and George Arvenitis owned the place. (No connection to Prohibition, however, since nothing was built on the property until the 1940s.) Anyway, Art was interested that I was a historian and that I'd already done a bunch of research on Sam's. I, in turn, was very grateful for the tour and information he shared with me.
Art with members of the O.C. Historical Society's board, planning a luau over mai tais. |
Art's funeral will be held Wed., Nov. 14, 9am, at Forest Lawn Hollywood Hills, 6300 Forest Lawn Dr., Los Angeles. (Drive to Old North Church once inside the cemetery.) Reception following interment at the Hall of Liberty. In lieu of flowers, his family asks that you consider making a donation in Art's name to: Solheim Lutheran Home in Los Angeles.
Mahalo for being a great host, Art, and for all you've done to keep tiki alive and well. A lot of people are very grateful.
Saturday, October 20, 2012
The Enchanted Tiki Library
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Banning Branch, Huntington Beach Public Library. (Photo by author) |
The 2,400-square-foot Banning Branch Library, began life in 1962 at 22171 Bushard Ave. (about where Lanai Circle now ends) as the tract office for the new Newport West housing tract (Tract 3903). This subdivision -- one of many developed by William Lyon -- featured some Polynesian-themed roof lines, architectural detailing and street names. The tract office was built to echo that theme.
"It's beach party time at Newport West" one salesman with Lyon's Luxury Homes, Inc. told the L.A. Times in 1966. "Residents here are one block from the ocean and the popular entertainment of the season is an early evening beach party." The article went on to describe the tract homes exteriors, which "range from island modern to beach contemporary." Another article described some of the styles as "Tahitian, contemporary modern, and California conventional."
By late January 1967, Newport West's homes were sold and the tract office became the site of a two-day sale of all the furniture and other decor from what had been the tract's model homes.
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Illustration of a "Tahitian"-style home in Dutch Haven's Newport West tract from a 1963 newspaper ad. |
In 2007, the City hired an architectural firm to draw up plans for a new 12,500 square-foot library building to replace the current one. Then the 2008 recession stalled that plan indefinitely.
In 2012, the Banning Branch Library was used as a pawn in a game of political blackmail. City "Measure Z" appeared on the November ballot, promising to eliminate a property tax that helped pay for city workers' pensions. Those campaigning against Measure Z, including some city leaders, threatened to cut some of the most basic and well-loved community services if Measure Z passed -- And the Banning Branch was on their short list.
Ultimately, Measure Z was very narrowly rejected by voters and the library stayed. And the 2007 plans to replace the building never materialized either, even after the economy rebounded. The library branch was still operating as of 2020.
Hopefully, the Enchanted Tiki Library will remain just the way it is. Maybe it could even be gussied up a little with subtropical landscaping and new interiors by Oceanic Arts and local resident Bamboo Ben. It's an extremely rare, well-preserved, and creatively adapted example of something that personified the most important boom in Southern California's history: The mid-century tract office.
(Updated June 2020)
Thursday, October 18, 2012
Roger's Tikis
This is some sort of sign of the current state of the tiki revival: A nice little selection of tikis are now available at Roger's Gardens -- the high-end, jaw-droppingly amazing king of all nurseries, located in Newport Beach, California. How will people get these home in their tiny but expensive European sports cars?
Friday, October 12, 2012
Kahlua Apartments, San Gabriel
Less than a mile north of the Bahooka restaurant are the Kahlua Apartments, at 5339 Rosemead Blvd., in San Gabriel, California. These apartments appear to have been built in the late 1960s, although I have no solid date of construction. The photos in today's post all come from this complex. I'm a little disappointed that I couldn't get into the central courtyard to get some pictures in there. Somehow I suspect that more tiki goodness awaited beyond the locked gates.
Based on the careful efforts to preserve the tikis and the working condition of the waterfalls, it seems clear that the management understands what a gem they have here. Let's hope the residents do also.
Architect James Black, on a site called The Lower Modernisms, observed that the Kahlua "is equipped with plenty of gables. Technically, this is a gablet roof (also called a Dutch gable roof), a combination of hipped and gabled roof construction. There is some bona fide justification for using this form in a Polynesianized theme building, because such roofs are frequently seen in older Hawaiian buildings. At the Kahlua, whereas the ridge of the roof is flat, the top of the gabled portion slopes up, another method of pursuing that sense of jaunty-casual sought in the aforementioned buildings by the raking of their projected gables."
I'm sure Mr. Black didn't intend the term "lower modernisms" as a slight -- but rather as a contrast to the sort of "high modernism" that made all the big architecture and design publications in the mid-20th Century. Still, I always feel a bit reflexively defensive when people use terms like "lower" to describe "tiki architecture", "Googie architecture," and their various cousins. The form of these sorts of architecture fit their function perfectly -- Even if that fuction was advertising apartment rentals or selling cheeseburgers. After all, ever since the dawn of the car culture, snappy roadside commercial appeal has been a perfectly legitimate function for a building's design.
Carved tikis, waterfalls, tropical plantings, lava rock, bridges over water features, (Dutch) gabled roofs, "outrigger beams," and a pseudo-Asian sign font all add up to a Polynesian oasis worth stopping to admire.
Based on the careful efforts to preserve the tikis and the working condition of the waterfalls, it seems clear that the management understands what a gem they have here. Let's hope the residents do also.
Architect James Black, on a site called The Lower Modernisms, observed that the Kahlua "is equipped with plenty of gables. Technically, this is a gablet roof (also called a Dutch gable roof), a combination of hipped and gabled roof construction. There is some bona fide justification for using this form in a Polynesianized theme building, because such roofs are frequently seen in older Hawaiian buildings. At the Kahlua, whereas the ridge of the roof is flat, the top of the gabled portion slopes up, another method of pursuing that sense of jaunty-casual sought in the aforementioned buildings by the raking of their projected gables."
I'm sure Mr. Black didn't intend the term "lower modernisms" as a slight -- but rather as a contrast to the sort of "high modernism" that made all the big architecture and design publications in the mid-20th Century. Still, I always feel a bit reflexively defensive when people use terms like "lower" to describe "tiki architecture", "Googie architecture," and their various cousins. The form of these sorts of architecture fit their function perfectly -- Even if that fuction was advertising apartment rentals or selling cheeseburgers. After all, ever since the dawn of the car culture, snappy roadside commercial appeal has been a perfectly legitimate function for a building's design.
Carved tikis, waterfalls, tropical plantings, lava rock, bridges over water features, (Dutch) gabled roofs, "outrigger beams," and a pseudo-Asian sign font all add up to a Polynesian oasis worth stopping to admire.
Thursday, October 4, 2012
Bahooka!
Located at 4501 N. Rosemead Blvd., Bahooka Ribs & Grog is more nautical than tiki, but there are certainly plenty of nods to Polynesian Pop in this landmark. One gets the feeling that some really creative thought and effort went into creating this place initially, but that many layers of additional decor have been added over the decades -- some of which evoke Party City, the local scrapyard, or Uncle Moe's Family Feedbag (with a "whole bunch of crazy crap on the walls") more than tropical islands or Trader Vic's.
Tiki Magazine is available at the Cashier's counter. |
Decor-wise, the highlights at the Bahooka are the more than 100 fish tanks, featuring an interesting array of critters, including an enormous, 35-year-old, carrot-eating pacu named Rufus. (The pacu, a close relative of the pirahna, has become known as "the testicle-eating fish" after some unfortunate incidents in Papua New Guinea's Sepik River. Tip for the day: Never fish naked in tropical rivers.) Although it sometimes feels a bit like dining in a pet shop, the aquariums are visually arresting and add a mysterious blue glow to the dark, maze-like restaurant.
A blast to the Mid-Century past. |
The largest and most visible tiki at Bahooka guards the bathrooms. |
The steaks were cooked as ordered and reasonably well seasoned. But the meat was also tough, thin, and really pretty scarce by the time fat, gristle, and bone was cut away. The salad was drown in dressing (which didn't seem to phase Phil). The fries, though plentiful, weren't quite cooked enough. And the clam chowder (which is generally one of my favorite foods) had a rather un-chowdery flavor to it that kept me from eating more than a few spoons full. Phil's baked potato was okay, but unremarkable.
To be fair, we visited early in the evening on a Sunday, and made no follow-up visit. So I don't know if our experience was unique or par for the course.
A banquet room in the back features a moai and treasure chests. |
The Mai Tai I ordered was quite recognizable as a real Mai Tai (which is more than you'll find in most restaurants these days), and the presentation was nice, but the execution was a little uninspiring. On the other hand, I've probably been spoiled by occasional visits to Don the Beachcomber's and Trader Sam's.
For the record, this is the only Polynesian-ish restaurant I've ever been to that featured pastrami sandwiches on their menu. Just another curious twist.
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